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Contact Victor Fan ┃Fission ┃Printculture ┃English ┃繁體中文版 ![]() Victor Fan: Art, Life, Passion by Victor Fan is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. |
下列并非范可乐的履历表全文。 专科 1.电影及媒体理论与哲学; 2. 古典中国哲学、文学、与俚俗文化; 3. 现代中国文学; 4. 中国电影及媒体; 5. 经典及现代欧洲文学与哲学(尤其是维多利亚时期英国文学、美国文学、及当代英国文学); 6. 后殖民地理论; 7. 酷异理论。 中文以外语言 英语 法语 学位及文凭 耶鲁大学比较文学系及电影课程哲学博士学位准考生 南加州大学电影艺术学院电影电视制作系美术硕士 罗彻斯特大学伊士曼音乐学院作曲系音乐学士 牛津剑桥考试局,英国高级程度会考:历史、音乐、宗教哲学 奖学金 Samuel K. Bushnell Fellowship 9/2008-8/2009 Eastman School of Music Scholarship 9/1992-6/1996 学术文章 “New York Chinatown Theatres under the Hongkong Circuit System” (香港院线制度下纽约唐人街的电影院), in Film History (电影历史) (2010). “(In)Authenticating the Queer Body and the Authorial Gesture'” (名正验身),in A Companion to Rainer Werner Fassbinde (发斯宾达读本), ed. Briggitte Peucker (Wiley-Blackwell, 2009). “The Unanswered Question of Forrest Gump” (《阿甘正传》的不解题),in Screen (英国《银幕》杂志)49.4 (2008). “English Football and Its Hong Kong Television Audience” (英超的香港观众),in CLCWeb: Comparative Literature and Culture: A WWWeb Journal (美国《比较文学文化》杂志)8.1 (2006), URL: http://docs.lib.purdue.edu/clcweb/vol8/iss1/3/. 待发刊: 中国电影理论翻译 "The Cinema of Sun Yu and the Curse on the Female Body" (孙瑜的电影艺术与女体) “What Does Hero Tell Us about Political Violence and Media Archaeology?” (《英雄》是自我出卖吗?) “To What the Law Turns Blind?: Homosexuality and Hitchcock's Cinema as a Collective Symptom.” (希治阁与同性恋) “The Re-Emergence of Football Hooliganism as Cinema.” (英国足球流民电影) Articles in Printculture ( http://www.printculuture.com ) Printculture is a communal blog (fellow contributors including Haun Saussy and Eric Hayot). These articles were written in both journalistic and academic formats, depending on the subject matters and research backgrounds. Some of these articles are under revisions for the purpose of being published in academic journals. I hereby provide a list of their titles, for some of them may give you an idea on the areas of research that I am undertaking. “The Genius and the Aura” [On Gustavo Dudamel] (15 October 2009); "Whose Trauma is It?: Reading Inglourious Basterds " (28 September 2009); “From The Paradine Case to Prop 8” (19 August 2009); “Cat and Mouse” [On Animal Consciousness] (17 July 2009); “The Grand Finale” [On Mahler's Symphony No. 8 ] (27 June 2009); “Re-Reading This Sporting Life ” (23 June 2009); “Is Hero a Sellout?” (13 June 2009); “On ‘Lust, Caution' (The Novella)” (18 May 2009); “The Nocturne” [On Chopin] (1 May 2009); “The Christ that Remains” [On Nicholas Ray's King of Kings ] (26 April 2009); “Rethinking Broken Blossoms through Canhua lei ” (12 April 2009); “The Cinema of Sun Yu” (6 April 2009); “Logan's Doubt (In Kang Youwei's Parallel Universe)” [On Logan's Run and Kang Yougwei] (30 March 2009); “On Tom Brown's School-Days ” (23 March 2009); “Hawks and Sparrows” [On the Cinema of Pasolini] (16 March 2009); “Whose Funny Valentine? Part 2” (On Slumdog Millionaire ) (24 February 2009); “The Post-Mortem Life of Music” (14 December 2008); “What is Truly Absent from the Beijing Olympics?” (12 August 2008); “Football and ‘Modern Slavery'” (18 July 2008); “Euro 2008” (5 July 2008). 报导性文章 Film Festival Reporter (电影节报导) (后称Film Festival Today 《今日电影节》): 2000-2004 专题报导: 〈无菲林电影〉, 《突破少年》 (香港, 1995). 教学经验 校址访问 (2009) 过去未有接纳的暂取职务 纽约大学,Tisch艺术学院,电影电视制作系,历史及分析:「叙事风格的历史」(零八年八月) 全职导师 客籍讲师 助教 耶鲁大学电影课程 耶鲁大学剧场研究系 多年中学教学经验 行政 会议 Asia in Motion (亚洲动力,耶鲁大学, 2009) American Comparative Literature Association (美国比较文学协会) 北美洲运动社会学学会 普林斯顿大学比较文学系研究生会议 芝加哥大学社会学研究生会议 印第安拿州大学法语及义大利语系研究生会议 纽约城市大学比较文学系研究生会议
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